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  • Happy Friday the 13th 🗡️, Long Live Tommy Jarvis 🚶, 'Bark' leaves a bloody mark 🐕‍🦺, & more!

Happy Friday the 13th 🗡️, Long Live Tommy Jarvis 🚶, 'Bark' leaves a bloody mark 🐕‍🦺, & more!

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Neomi Vafiadis | Instagram | Letterboxd 

I heard you decided to go to sleepaway camp this summer and move-in day is Friday the 13th. Crazy choice.

That being said, here’s a suggested packing list so you can die on-brand:
- Flip-flops for maximum vulnerability while running through the woods (or crocs, broken sports mode version, your call)
- A guitar because what’s a murder-filled night in the woods without a little acoustic Wonderwall 
- A weapon (any weapon) that you’ll immediately accidentally drop when it matters most
- A flashlight or cell phone with a dead battery because of course
- Bug spray (might as well be comfortable in your last few hours of living)

If you packed any of the above, 1. congrats you're a cliche, and 2. good luck, make sure to scream loudly for the group photo.

And this perfectly leads me to our intro this week: Happy Friday the 13th to all those who celebrate!

I’m going to go ahead and assume that anyone who’s subscribed to the Horrorverse newsletter also treats this day as an international holiday (because it is.) And this year, it’s extra special: Friday the 13th just so happens to land right around when summer camps kick off, another one of our favorite horror niches. A cursed day and a bunch of emotionally fragile teens gathering in the woods? Horror gods, you’ve outdone yourselves.

So naturally, this week, we’re celebrating Camp Horror and Friday the 13th, aka the film that made all of us scared of canoes, co-ed showers, and wearing a hockey mask outside of regulation sports.

Both are iconic niches in horror; camp horror because it taps into something primal: you’re off the grid, vaguely sunburnt, and the sole authority figure for miles is an 18-year-old girl who just discovered weed: the horror writes itself. And Friday the 13th is celebrated (and feared) individually because of the years of superstition and folklore around it. Or maybe it’s the Jason of it all, AKA our favorite slasher? (Don’t tell the other slashers) Or again maybe it’s the sheer number of people who think they can run in the woods wearing flip-flops? All of the above, I say.

Welcome to Horrorverse’s Friday the 13th issue.

By Brett Petersel | Bluesky | Instagram | Letterboxd | X

The Ready or Not sequel, Ready or Not: Here I Come, directed by Radio Silence, has completed filming, and will walk down the aisle in April 2026. [Instagram]

Cillian Murphy will appear in the two sequels to 28 Years Later, 28 Years Later: The Bone Temple and the untitled third film. 28 Years Later: The Bone Temple will premiere exclusively in theaters on January 16, 2026.

The Texas Chainsaw Massacre rights are up for grabs. The list of those wanting to acquire them is interesting. From Jordan Peele to Osgood Perkins. [Deadline]

We already have Evil Dead: The Musical, which is fantastic, but what about Evil Dead In Concert? The show saws its away across the U.S. beginning in mid-September. [Fangoria]

Bee Delores | Bluesky | Instagram | Letterboxd | Brett Petersel | Bluesky | Instagram | Letterboxd | X | Neomi Vafiadis | Instagram | Letterboxd | Matt Orozco | Bluesky | Instagram | Letterboxd

Director Marc Schölermann invites the audience into a low-scale, single-location horror/thriller with an eye for intimacy, mood, and atmosphere. His new film, Bark, arrives today (June 13) as a survivalist tale, focused on a man named Nolan Bentley (Michael Weston) tied to a tree. With woodlands surrounding him, the stakes could not be higher. Every passing day could be his last. When starvation and dehydration set in, it's only a matter of time before nature takes over. Steve Fauquier's script excels in keeping the tension as tight as the rope binding Nolan to a cedar, with Schölermann pulling the viewer into his precarious position. What transpires over the 90 minutes is a grueling journey into one man's past, eventually revealing what led him to be tied to a tree. It's not what you expect, leading to a bloody, tragic ending.

House of Abraham, directed by Lisa Belcher and written by and starring Lukas Hassel, is a taut psychological thriller that centers on a new age guru who offers assisted euthanasia, but are his intentions truly altruistic? Dee (Natasha Henstridge) is facing a terminal illness and books a stay at the House of Abraham, run by the titular Abraham (Lukas Hassel) and assisted by Beatrice (Lin Shaye). Upon her arrival, she realizes that things aren't exactly what they seem and tries to help others before it may be too late. The script from Hassel touches on the sensitive topic of end-of-life care, but makes the careful decision not to pass judgment so much as use this as a vehicle to demonstrate the human-centric horror of people who prey on the most vulnerable among us. [Read Matt's review]

Bee Delores | Bluesky | Instagram | Letterboxd 

Tragedy of Tommy Jarvis -- Friday the 13th: A New Beginning Turns 40

You might be surprised to know that Friday the 13th: A New Beginning was my entry point into the franchise. I was no more than four or five, and I remember being absolutely enthralled. The blood, the guts, the scares! Of course, I was far too young to pick up the obvious clues of a copycat killer - the fact we never see Jason Voorhees resurrect, the different markings on the mask, etc. As I've grown older, I've come to appreciate what this series outlier does and how it injects the typical woodlands horror story with some emotional heft.

Years following the events of The Final Chapter, we meet a deeply troubled Tommy Jarvis (John Shepherd) on his way to a half-way house after intense psychiatric care. He's been given all the drugs you can imagine but has made enough progress to warrant his transition back into society. Shepherd's performance (far superior to Thom Mathews' surface-level take in Jason Lives) shifts between softer, quieter momets and uncontrollable rage. He's not just one thing; he's so destroyed by his trauma that he struggles even simple human connection. Shepherd brings real humanity to the character. He actually feels like a human being, unlike most other characters in the franchise. When Tommy arrives at Pinehurst, greeted by the flowing blonde locks and sparkling smile of Pam Roberts (Melanie Kinnaman), assistant director, he's cold and mostly unresponsive. The experience he endured when he was just 12-years-old left irreparable wounds that may never properly heal.

Throughout the film, Tommy hallucinates that Jason has finally found him, with auditory heartbeats to underscore his panic attacks. He also hears the screams of his sister Trish (Kimberly Beck) in the final moments before killing Jason. Tommy has become a shell of the person he could have been, clearly unable to cope with real life. But his eventual and inevitable arc in confronting who he believes to be Jason gives the film some considerable weight. It's a far cry from the machismo Tommy displays in Jason Lives. He not only is hellbent on hunting Jason Voorhees down, but he causes the maniac's resurrection. The irony.

Tommy Jarvis as seen in A New Beginning remains the strongest character of the franchise, over even Ginny (Amy Steel) in Part II. Shepherd's performance rivals Jamie Lee Curtis in Halloween H20: Twenty Years Later. In fact, he might actually outpace her exploration of trauma and recovery. There are layers to his performance we just don't get in any of the other Friday the 13th films, much less most other slashers. And it deserves far more praise and attention than it gets. Just because it doesn't have Jason in it, it's often cited as among the worst. Everything else about the film - the horny youths, pouring rain, and the Final Boy Reggie (Shavar Ross) - screams your classic slasher. The deaths are right in line with the series, with kill tools like an axe and machette; Junior's (Ron Sloan) decapitation is a particular highlight. It has everything you could possibly want!

The franchise might have retconned the film's events, but it shall remain one of the Friday the 13th highlights.

Long Live John Shepherd's Tommy Jarvis!

[Special shout-out goes to Violet (Tiffany Helm) and her dance moves - she deserved better]

Bee Delores | Bluesky | Instagram | Letterboxd | Brett Petersel | Bluesky | Instagram | Letterboxd | X | Neomi Vafiadis | Instagram | Letterboxd | Matt Orozco | Bluesky | Instagram | Letterboxd

The Friday the 13th films produced so many amazing kills (150+ according to this Reddit post and infographic) that it's difficult to choose just one favorite (so we chose as many as our bloody hearts desire). Check out our detailed list on Letterboxd.

Bee Delores | Bluesky | Instagram | Letterboxd | Brett Petersel | Bluesky | Instagram | Letterboxd | X | Neomi Vafiadis | Instagram | Letterboxd 

We can't have a Friday the 13th-themed issue without our Recommended If You Like (RIYL) being Friday the 13th (1980). Check out our list of film on Letterboxd here.

Bee Delores | Bluesky | Instagram | Letterboxd | Matt Orozco | Bluesky | Instagram | Letterboxd

You tell me Dacre Montgomery is in your film, and that's an immediate HELL YES from me. Billed as a ghost story, Went Up the Hill promises to go heavy on the psychological and the metaphorical. But judging from the press quotes, it'll be a real treat right up my alley. [written by Bee]

(Mostly) screen life, Don't Log Off is about to be my entire personality. It's right in life with Host and Unfriended with the drama between friends and the inventive onscreen kills. Oh, yeah, it's totally my thing. [written by Bee]

Eye for an Eye is a new twist on the Sandman mythos, steeped in violent revenge! [Written by Matt]

Brute 1976 is Marcel Walz and Joe Knetter's love letter to The Texas Chainsaw Massacre and The Hills Have Eyes [Written by Matt]

House of Eden merges found-footage and actual influencers Kris Collins and Celina Myers in a haunted house from Shudder and RLJE Films [Written by Matt]

Bee Delores | Bluesky | Instagram | Letterboxd

Why haven't I heard of Thirst before?! The 2019 film features a horny, gay vampire (centuries old), bucket so of bloody, and tons of severed dicks... what more could you want! When a man ends up dead, his sister is on the hook for his murder, but cops can't prove she had anything to do with it. Back on the street with nowhere to go, she befriends the creature of the night and the two become friends. Thirst doesn't skip on the blood drinking and flesh eating; in fact, it relishes in it in every possible way. If you're looking for a low-budget romp, this is for your.

Closet Monster emerges as one of those "I feel so seen" sort of films. Director Stephen Dunn, who co-wrote the script with Don McKellar, dives headfirst into a horror story about a young teen named Oscar (Connor Jessup) and his his journey of self-acceptance. A closeted gay teen, Oscar fancies Wilder (Aliocha Schneider), a co-worker at a local hardware store. The two strike up a quick friendship, and it's unclear whether Wilder reciprocates Oscar's deeper, more passionate feelings. All the while, Oscar clashes with his homophobic father - often finding himself escaping to his mother's place. Dunn's feature perfectly captures both the beauty and fear of coming out - bottled up nicely in a body horror package.

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Scary Carrie of Witchy Kitchen and Spooky Sarah of Geeks Who Eat have teamed up to create Final Girls Feast, a podcast that discusses food in horror movies! Listen to all of their podcasts at FinalGirlsFeast.com.

The Chattanooga Film Festival makes its triumphant return to the Chattanooga Theatre Center for the 12th edition of what MovieMaker Magazine calls one of The 25 Coolest Film Festivals in the World! It all goes down in-person June 20-22 with the virtual side of the festival continuing through the 28th.

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