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Creepy Urban Legends 😧, 'Kill Me Again' shocks us 🔪, 'Coyotes' insanity 🐺, & more!
Introduction by Brett Petersel | Bluesky | Instagram | Letterboxd
Urban legends have been around for years. As a camper (shout out to Camp Kinder Ring) back in the late 80s/early 90s, Cropsey was all the rage. No one wanted to step foot in the dark waters of Sylvan Lake for fear that Cropsey would drag them underwater. Not me. I jumped right in, showing my fellow campers there's nothing to be afraid of (all while I unrealistically hoped for Cropsey to drown those who bullied me).
These days, we've become familiar with urban legends from the films based on them. From Bigfoot to the Mothman, we hear these stories, watch the films, and maybe dive into their backstories on our own. Of course, because of these stories about urban legends evolving over time, they do gain a life of their own.
The call is coming from inside the house →
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Still from Slender Man (2018)
IN THE NEWS by Brett Petersel | Bluesky | Instagram | Letterboxd
🔟 Shudder’s 10th anniversary continues with a 10-disc Blu-ray set
Shudder’s 10th anniversary celebration runs until the end of the year, so why not celebrate it with big announcements? They just announced a 10 disc set , which includes Terrified, The Mortuary Collection, The Dark and the Wicked, Host, Mad God, V/H/S/94, Caveat, Skinamarink, Late Night with the Devil, and In a Violent Nature, will be released on November 11th.
🏠 Amazon MGM build a new foundation with a new Amityville Horror film
Fangoria and Deadline both announced that David F. Sandberg (Until Dawn) is set to direct a new Amityville Horror film, a reimagining of the original film, for Amazon MGM Studios.
😈 The Conjuring: Last Rites scares up the box office
The ninth entry in the Conjuring universe raked in almost $200 million at the global box office, making it the highest and most successful opening (globally) for a horror film. A prequel film is reportedly in the works, as well.
🃏 Dread Presents brings The Jester 2 to theaters this month
The Jester 2 will have a two-night screening event through Fathom Entertainment on September 15th and 16th. During the screenings, an exclusive look at the making of the film, along with a behind-the-scenes featurette, will be shown. Purchase tickets here.
GIVEAWAY: CLOWN IN A CORNFIELD
We’re giving away one (1) copy of Eli Craig’s Clown in a Cornfield on 4K UHD Steelbook. The film is based on the Bram Stoker award-winning novel of the same name by Adam Cesare. The Steelbook bonus features include filmmaker commentary and limited-edition magnets featuring a "Pop Out" Frendo and his weapons. Enter to win by Sunday, September 14th. | ![]() |
TIMEWARP by Bee Delores | Bluesky | Instagram | Letterboxd
Urban Legends: Final Cut Turns 25
Note: Light spoilers afoot
I watched Urban Legends: Final Cut for the very first time this week. Ahead of its 25th anniversary, it felt like a perfect time to finally check it off my watchlist. I'd always heard mixed things on this early 2000s sequel, and judging by its 2.4 average rating on Letterboxd, most people seem to hate it. You might be surprised to know that I quite liked it! It's obviously cashing in on the teen horror resurgence of the decade, landing somewhere between Scream and I Know What You Did Last Summer. In an early film role, Jennifer Morrison leads the cast that also includes Legally Blonde's Matthew Davis, Loretta Devine, and '90s heartthrob Joseph Lawrence. I'd always enjoyed the Urban Legends original, but I tempered expectations heading into the sequel. I didn't look up the synopsis, choosing to go in completely blind.

Amy Mayfield (Morrison) puts in long hours for her thesis film. Deciding to tackle urban legends, she's an ambitious filmmaker who becomes the target of a mysterious, fencing-mask-wearing killer (quite an odd choice there). The unknown stalker picks off those around her, one by one -- including Sandra (played by Jessica Cauffiel, in a niche "second death goes unnoticed because she's supposed to be out of town" typecast, exactly like her role in 2001's Valentine). There's a slight camp-affection to much of the performances (tbh, it should have been a total camp fest, but I digress) that marks the film as a bit silly, yet I couldn't stop watching.
With a screenplay penned by Paul Harris Boardman and Scott Derrickson, Urban Legends: Final Cut is better than it has any right to be. As a sequel to the 1998 original, it does a serviceable job of lassoing you into a story with decent pacing and a strong lead performance by Jennifer Morrison, who makes you care deeply for Amy's survival. I know Morrison mostly from her work on This is Us and Once Upon a Time, so it was refreshing to see her plopped down into a bloody slasher flick. She flexes her acting muscles and really makes an effort with the material, which is more than I can say about a few other actors in the film. But they neither were a distraction nor derailed the story; they were simply there. Morrison just really makes the film, now doesn't she?

With a few inventive kills (a decapitation by broken window and a death made to look like a student film are of particular note), the film certainly makes an effort to be memorable. An outlandish character reveal (Randy in Scream 3 would have a field day) feels shoehorned in and OTT, but I honestly can't be too mad at it as the hunky actor gets double the screentime. All in all, the John Ottman-directed feature left a decent impression on me. Ottman, who I most know as the guy who delivered a very strange score for Halloween H20, delivers middling camera work, just interesting enough to keep me glued to my seat.
I imagine if I'd seen this as a teenager, I would have been totally obsessed with this. Who am I kidding... I might be obsessed with it as an adult. It has an instant comfort film quality that I can't really explain or put into words. Urban Legends: Final Cut isn't terrible but it's not exactly a brilliant masterpiece. It's certainly of-the-era with a rough exterior and an unsurprising killer reveal, but I enjoy it enough I can see myself putting it on as background noise as I do all my favorites. Glaring flaws and all, it's a solid 3.5 out of 5 stars.
The #100HorrorMoviesIn92Days Challenge returns for Its 6th Year. Born out of boredom during the lockdown phase of Covid, the challenge has grown exponentially and is an annual tradition among participants. It encourages folks to set aside watching only their comfort watches during spooky season and find new favorites from films they haven’t seen before. | ![]() |
TRAILERVILLE
The Weedhacker Massacre, you say?! It's just wacky enough to work! The super meta slasher is right up my alley, and I'm totally sold on the gooey, hyper-aware trailer. [written by Bee] |
"Your fear shows a distrust of the world." Girl, please. The trailer for The Healing promises a folk horror terror that we won't want to miss - or at least, I hope so. [written by Bee] |
The Justin Long renaissance continues with the forthcoming Coyotes. Judging by the trailer, it has all the makings of a camp classic. It's silly, unhinged, and explosive. [written by Bee] |
MACABRE DAILY: WEEKLY HIGHLIGHTS
💀 Vera Farmiga's alt-rock band, THE YAGAS drop ILLUSION into The Conjuring Universe (Socials: Sam) Link
💀 Brooklyn Horror Film Festival announces a Decade-dant lineup, with Macabre Daily as one of the sponsors! Link
OUR FAVORITE URBAN LEGENDS
Did you hear the urban legend about the newsletter subscribers who clicked on a link and were forced to check out a list on Letterboxd, only for them to be forced to watch some amazing horror films? Well, now you have (just click on the link...)
WHAT TO WATCH
Writer/director Colin Krawchuk returns with the second chapter of The Jester, a solid 2023 knock-off of Terrifer. With The Jester 2, Krawchuk ups the ante but fails to generate a memorable story. A young teen named Max (Kaitlyn Trentham) aways lives on the fringes of society, unable to make meaningful connections. On Halloween night, she dresses up as a magician for a night of pure reverie. Unfortunately, The Jester (Michael Sheffield) makes his rounds and sets his sights on Max, who impenetrable loneliness makes the perfect target. She weirdly matches up with The Jester, wandering town with her new fiendish friend. Sometimes, she teams up with him, and other times, she runs from him. It's a confusing, unexplained narrative choice that derails a promising story. With a limited budget, the cinematography and camera work is admirable for what it is. Unfortunately, the technical aspects can't save a film doomed from the start. Colin Krawchuk shows shades of promise, but the lack of cohesion and vision trumps what could have been a cool addition to the silent killer canon. [written by Bee] | ![]() |
Popular mixed martial arts performer Keith Jardine surprises with one of the year's best films, Kill Me Again. The writer/director stages an epic story about a serial killer named Charlie (Brendan Fehr) and a series of brutal killings across the city. On a quiet midnight shift at a local diner, Ana (Majandra Delfino) gets the surprise of her life when Charlie begins killing the other customers and eventually her. The twist comes when Charlie finds himself caught in a time loop, forever trapped on the same night at the same diner. He must endure repeat visits to learn a valuable lesson. What that lesson might be is up to him. Jardie keeps the cards close to the vest, eventually offering a third act twist you'll never see coming. Kill Me Again is a griping tale about past sins, redemption, and forgiveness that'll keep you in a chokehold right up to the very last frame. [written by Bee] | ![]() |
I think I’m the only person on Letterboxd that didn’t like The Stream. To be fair, I’m not a fan of Isaac Rodriguez’s previous films, too, including Visher and Deadware. Still, I appreciate the effort, but this didn’t do it for me. [Review by Brett] | ![]() |
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